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True Royal Space

Dance Star Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Protective About My Body'

Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is naturally upright, his limbs defined beneath a plain white T-shirt. During performances, ballet dancers can appear as mighty gods, yet frequently in person they are small. Not so Ball, whose height is part of his popularity for heroic characters and partnering. With delicate traits and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he graduated straight into the company and was promoted each year, reaching the highest position of lead dancer in 2018. He has relished taking on substantial characters, especially the psychological turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring role is as himself, in an "Evening With" event designed to offer intimate insights into a performer's art. He will guide the audience through a role, showing his mental process during performance. Even in lighter ballets, the test is significant. "A classic ballet is one of the most demanding from a skill perspective," he states.

The Mental Game and Post-Performance Emotions

How does he feel after a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get lost in the character, quite often I do feel self-conscious afterwards. After Mayerling I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. But a choreographer once remarked on a "kind of suffering in him." Does this exist? "I am very energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Drivers and Creative Influences

His determination stemmed from early experiences. Not excelling in contests at school made him "vengeful!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next challenge is creating his own dance works. For Ball, "organic movement has value." "Challenging the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from literature, music, and art.

Intimate Performance and Personal Dynamic

He also is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his partner, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They are not usually paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Physical Perception

On social media, fans can see videos from his dance films and photos that showcase a sculpted form. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—an object that can be interpreted on multiple levels.

Ball describes his younger self as "eager for success." Did it met his expectations? "I am conscious of how reality is a separate reality to the dreams you had as a child," he muses. He probably has about ten years of dancing left. "I guess in the future, I want to be a bit more gentle with myself."

RW
Written by

Rachel Welch

Elena Vance is a historian specializing in European royalty, with over a decade of research and writing on monarchies and their cultural impact.

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